I try to process and refine my microdata from watching Severance Season Two as an unsevered cog in the corporate wheel.
The week in films, featuring Indecent Proposal, Misery, The Monkey and Showgirls. Four different directors with four different visions. Only two of them can see clearly.
My tears remain dormant with We Live in Time, a manipulative and hollow romantic drama from director John Crowley.
French director Jacques Audiard brings us the musical Emilia Pérez, an admirable swing and a spectacular miss that everyone will have an opinion about.
Catholic voting is more thrilling than expected in Edward Berger’s papal picture, Conclave.
A shotgun wedding to the son of a Russian oligarch goes (unsurprisingly) poorly in Sean Baker’s Palme d’Or winner Anora.
